While filming on 2006's "Superman Returns" began early in 2005, one
actor completed all of his work for the movie almost 30 years ago.
Director Bryan Singer has announced plans to incorporate footage shot in
1977 of late actor Marlon Brando as Superman's Kryptonian father,
Jor-El. A voice from the past playing the part of a voice from the past.
As a screen legend, Brando was one of the big draws of 1978's "Superman:
The Movie". At the time, many considered Brando's multi-million dollar
salary for about 2 weeks of work obscene. Brando shot all of his work
for "Superman" and "Superman II" at once. For a wide variety of reasons
including finances and the replacement of original director Richard
Donner with "Superman II" director of record Richard Lester, all of
Brando's shot footage for "Superman II" was cut from the final film.
Lester brought in actress
Susannah York to re-film key scenes replacing Superman's biological
father with his biological mother. And Brando's work sat in a film vault
for decades.
In the 25 years since "Superman II", and particularly over the last
decade since DVD technology has been introduced, there have been efforts
to get Brando's work on "Superman II" incorporated into a restored
"Richard Donner cut" of the film. Now it's been revealed that some of
that footage will be used in "Superman Returns." Presumably, Brando's
Jor-El will digitally interact with Brandon Routh's Kal-El (or possibly
Kevin Spacey's Lex Luthor) in the Fortress of Solitude.
While the details of the film's plot remain firmly under wraps, an
examination of the last "Superman II" script reprinted online that
listed Donner as Director (and Donner colleague Tom Mankiewicz as
Creative Consultant) reveals at least Jor-El's side of his conversations
in "Superman Returns". For purposes of this article, it is assumed that
all the scenes involving Jor-El contained in the "Superman II" script
dated April 18, 1977 were filmed as written. According to David Michael
Petrou's "The Making of Superman: The Movie", filming began
simultaneously for "Superman" and "Superman II" on March 28, 1977.
Brando filmed all of his scenes over the first two weeks of the
production. Therefore, it is reasonable to assume the late April 1977
script included all of Brando's scenes as they were shot
In the theatrical version of "Superman II", Gene Hackman's Lex Luthor
finds Superman's Fortress of Solitude and learns about the Kryptonian
memory crystals and the Phantom Zone villains from the spirit of both
Superman's biological mother and an unnamed Kryptonian elder.
Originally, all of the dialogue was Brando's as Jor-El. The re-filmed
scenes were interspersed with Hackman's already filmed scenes. Because
Hackman refers to the voice he is speaking with as a "he", Lester was
forced to cast a Kryptonian elder in addition to Lara to recite the
Earth poem "Trees".
While most of the scenes between Hackman and Brando are virtually
identical to the scenes with Hackman and York (and the Kryptonian
Elder), Brando's Jor-El says the following about morality prior to the
recitation of the "Trees" poem: "The virtuous spirit has no need for
thanks or approval... [o]nly the certain conviction that what has been
done is right... Develop such conviction in yourself... [T]he human
heart on your planet is still subject to small jealousies... lies, and
monstrous deceptions." With that, Luthor pulls the crystal out, and Ms.
Teschmacher gives him the education crystal with Jor-El's lessons on
Earth culture.
After Lois Lane discovers Superman's identity, Superman brings her to
the Fortress to learn about his heritage. Among the scenes that Donner
filmed of Superman courting Lois is a scene with Reeve and Margot Kidder
as Lois Lane watching home movies of Jor-El, Lara, and baby Kal-El on
Krypton. It is conceivable that footage exists, therefore, of Brando's
Jor-El spending time with his wife and child in their Kryptonian home.
However, nothing has been said about York being involved in "Superman
Returns" so it's unlikely this footage - if it even exists -- would show
up in the new movie.
Even though Lester re-shot some scenes virtually line-for-line and
simply substituted York for Brando, the emotional resonance of the scene
changes with the change in parent. In "Superman II" as released, Lara
makes a very maternal impassioned plea to Kal-El, which grows out of her
fear that he could be hurt like an ordinary man.
Conversely, while the essence of the conversation is the same, Brando
takes a much more in-your-face, confrontational approach echoing the
antagonistic relationship between Clark and Jor-El that's been depicted
on TV's "Smallville".
In the first "Superman" movie, Jor-El spoke to Kal-El (as a baby and an
adult) in terms of Jor-El's expectations and there's a sense in the
scripted scene that Jor-El is upset that Clark's decision spoils
Jor-El's plans for his son. Whereas Lara's speech tugged at the heart,
Jor-El doesn't mind laying on some guilt: "Is this how you repay their
gratitude? By abandoning the weak, the defenseless, the needy - for the
sake of your selfish pursuits?... Yours is a higher happiness! The
fulfillment of your missions! Your inspiration! You must have felt that
happiness within you... (quietly) My son, surely you cannot deny that
feeling."
In both the Lester and Donner versions, Superman gives up his powers so
he can be with Lois. Jor-El allows Superman to make his own decision,
but he doesn't leave without expressing his disappointment. As described
in the April 1977 script, "[t]he multi[-]planed images of JOR-EL seem
to fight the chamber process... LOIS is terrified. She turns away, is
suddenly faced by a huge projection of JOR-EL'S face: his eyes seem to
be staring straight at her - they flash with seething hatred." Talk
about a disapproving prospective father-in-law. If Singer needs an angry
Jor-El in any of his scenes, it sounds like he's got it.
The scene from "Superman II" that most likely contains at least some of
Jor-El's dialogue for "Superman Returns" is the so-called "suicide
scene". In this scene, a beaten and powerless Clark returns to the
Fortress of Solitude and, after he finds the green crystal, faces Jor-El
one last time. Jor-El, in one of Brando's longest passages of dialogue
in either film, expends all of his remaining energy on re-powering
Superman and gives up his spiritual life so that Superman can live
again. According to Brando's scripted dialogue:
"Listen carefully, my son, for we shall never speak again. If you hear
me now, then you have made use of the only means left to you - the
crystal source through which our communication was begun. The circle is
now complete. You have made a dreadful mistake, Kal-El. You have
abandoned the world for the sake of private ambition. You did this of
your own free will, and in spite of all I could say to dissuade you. Now
you have returned here to me for one last chance to redeem yourself.
This too - finally - I have anticipated, my son. (pause) Look at me,
Kal-El... Once before, when you were small, I died while giving you a
chance for life. And now, even though it will exhaust the final energy
left within me... Look at me, Kal-El!... The Kryptonian prophe[c]y will
be at last fulfilled. The son becomes the father - the father becomes
the son. Goodbye forever, Kal-El. Remember me, my son..."
Brando's Jor-El smiles at Superman one last time and then disappears
forever. Certainly Jor-El's talk of Superman having abandoned the world
should fit into the new movie's plot involving Superman's returning to
Earth after a lengthy absence.
Right now, it's pure speculation how Brando will be incorporated into
the final version of "Superman Returns". If Jor-El plays a small role in
the feature, as has been suggested, then the deceased Brando's
re-incorporated lines shouldn't prove too distracting.
Nonetheless, it is hoped that Singer's
use of only one actor's previously unseen lines - and there exists
unseen Donner-shot footage with virtually all the "Superman II"
principles - doesn't dissuade WB from releasing a Donner cut of
"Superman II." Of course Singer pitched his vision for "Superman
Returns" to Donner - but whether that means Donner has no plans for his
"Superman II" footage remains unclear.
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